Silver Spring Stage The Real Thing
By Bob Ashby • Mar 7th, 2013 • Category: Maryland, ReviewsThe words, thoughts, and actions of Stoppard’s actors and writers have wider meaning to the extent that all the world is, in fact, a stage.
The words, thoughts, and actions of Stoppard’s actors and writers have wider meaning to the extent that all the world is, in fact, a stage.
With top-notch technical elements and a powerhouse cast, this is a production that delights and enthralls.
This production is not that big win, but it is an opportunity to see a different type of experimentation in the context of what is, in this production as much as any other, a beautiful, complex, and heartfelt score.
This is the show to see. Period. Find a way to get to Harford Community College and see this production.
While perhaps not quite as well-known as the “big three” of Pinafore, Pirates, and Mikado, Iolanthe is arguably Gilbert and Sullivan’s most completely satisfying work.
Overall the exceptional quality of the production and the strong, enjoyable performance of David Bosley-Reynolds as Tevye make Toby’s Fiddler an overall successful production.
The Olney Theatre Center’s production of Spring Awakening is simultaneously charming and mortifying.
With a combination of poor direction and egregious miscasting, Damascus Theatre Company’s Cabaret lamentably fails to deliver on too many levels to deem worthy of a recommendation.
9 to 5 has some great moments and is overall an entertaining evening, but it does have a few substantial flaws that keep it from ascending to the level of a usual Milburn Stone production.
Quest of the Ziz Bird is ideally geared for younger audience with catchy, repeating riffs, a simple story with a good moral, and bright-colored costumes.